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            <title><![CDATA[Downtown: An Experiment in Glitchy Keying]]></title>
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            <pubDate>Mon, 11 Mar 2019 01:11:46 GMT</pubDate>
            <description><![CDATA[Experiments with keying for a "glitched" effect with Premiere Pro. Takeaways: Color Key provides more blocky, preferred output than Ultra Key, Ultra Key provides much more customization than Color Key, Scenes with fewer colors are probably ...]]></description>
            <content:encoded><![CDATA[<p>Experiments with keying for a "glitched" effect with Premiere Pro.</p>
<p>Takeaways:</p>
<ul>
<li>Color Key provides more blocky, preferred output than Ultra Key</li>
<li>Ultra Key provides much more customization than Color Key</li>
<li>Scenes with fewer colors are probably preferable to very colorful ones like the highway clip used here</li>
<li>Lower-definition source clips may provide more aesthetically-pleasing, blocky masks</li>
<li>Beware over-tuning. Glitchy randomness <em>usually</em> comes from broad strokes and coarse settings changes, and extensive tweaking can lead to decreasing/inverse returns.</li>
</ul>
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            <media:title type="plain">Downtown: An Experiment in Glitchy Keying</media:title>
            <media:description type="plain">Experiments with keying for a "glitched" effect with Premiere Pro. Takeaways: Color Key provides more blocky, preferred output than Ultra Key, Ultra Key provides much more customization than Color Key, Scenes with fewer colors are probably ...</media:description>
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